Interdisciplinary Humanities
Utopia/Dystopia
Fall 2010
Volume 27.2
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Contents
| Editors' Introduction | ||
| David A. Hatch University of South Carolina, Salkehatchie |
3
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| The Already Dead and the Posthuman Baby: Children of Men, Dystopian Worlds, and Utopian Kinship | ||
| Nicole LaRose University of Houston-Downtown |
7
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| The Value of Fear: Toward a Rhetorical Model of Dystopia | ||
| Rob McAlear Case Western Reserve University |
24
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| The Grand Illusion: Finding Utopia in Stoppard's Epic The Coasts of Utopia | ||
| James Bell Grand Valley State University |
43
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| Contrasting Utopias: Toward a Theoretical Framework for Modernism, the Avant-Garde, and Postmodernism | ||
| Shawn Tucker Elon University |
60
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| Making Space for the Marvelous: Practical Postcolonial Utopias | ||
| Aaron Eastley Brigham Young University |
79
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| Mech-topia: Imagining a Posthuman Paradise in Osamu Tezuka's Metropolis | ||
| Joseph Christopher Schaub College of Notre Dame of Maryland |
94
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| Post-Speciesist Utopias and Dystopias | ||
| Naama Harel Emory University |
111
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Dustopian Fictions: William Hope Hodgson and the Thing to Do |
||
| Oliver Tearle Loughborough University |
121
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| "A Repeating World": Redeeming the Past and Future in the Utopian Dystopia of Jeanette Winterson's The Stone Gods | ||
| Hope Jennings Wright State University-Lake Campus |
132
|
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| Interview with Cover Artist Luis Safa | ||
| Kerry Doyle University of Texas at El Paso |
147
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| Book Review | ||
| Uglies by Scott Westerfeld | ||
| Reviewed by Kimberly Downing Robinson University of Arkansas-Fort Smith |
151
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| Notes on Contributors |
155
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| Editorial Policies |
157
|
|
| HERA Membership/IH Subscriptions |
158
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| Untitled (Part of the series Illustraciones que nada importan a un México como este/Illustrations that mean nothing to a México like this) (front cover) | ||
| by Luis Safa Ink on paper, 8 1/2 x 11", 2010. | ||
| Untitled (Part of the series Illustraciones que nada importan a un México como este/Illustrations that mean nothing to a México like this) (back cover) | ||
| by Luis Safa In on paper, 8 x 8", 2010. | ||
