Interdisciplinary Humanities
Gateways II
Spring 2009
Volume 26.1
Contents
| Co-Editors' Introduction | ||
| Lee Ann Elliott Westman University of Texas at El Paso |
3
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| "There's no logic in this": Orson Welles' Transgressive Challenge to Cold War Paranoia in Mr. Arkadin (1955) | ||
| Geoffrey Green San Francisco State University |
6
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| Power and Fluidity of Privilege and Oppression: The Case of Tuskegee and Invisible Man | ||
| Barbara A. Baker Auburn University |
11
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| Authenticating the Black-Indian Body: The Case of Radmilla Cody | ||
| Sarita Cannon San Francisco State University |
23
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| Hell's Belles: White Southern Women, Fiery Preachers, and Racial Order in 1920s Los Angeles | ||
| Daniel Cady Cal State University, Fresno |
36
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| Lessons from the Non-Hermit: Valuing Korea | ||
| Diane Boze Northeastern State University |
46
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| Cultural Refraction: Using Travel Writing, Anthropology and Fiction to Understand the Culture of Southern Arabia | ||
| Marielle Risse DhofarUniversity |
63
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| An Introduction to Plurality and Interdisciplinarity in Weldon Kees: The "Robinson" Poems | ||
| Matthew McNees University of North Carolina at Greensboro |
79
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Géricault, Tennyson, and the Unreliable Narrator: The Medical Case Study as a Rhetorical Model for Nineteenth-Century Literature and Art |
||
| Kimberly Freeman Downing University of Arkansas at Fort Smith |
89
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| Interview with Cover-Artist Michael Eble | ||
| Kerry Doyle University of Texas at El Paso |
101
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| Praise | ||
| Alice Derry Peninsula College |
110
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| Book Reviews |
113
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| Prisons, Race, and Masculinity in Twentieth-Century Literature and Film by Peter Caster | ||
| Michael Howarth Missouri Southern State University | ||
| Decadent Culture in the United States: Art and Literature against the American Grain by David Weir | ||
| John Lavelle Florida Institute of Technology | ||
| Notes on Contributors |
123
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| Editorial Policies |
126
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| Cover Art | ||
| Yellow Lamp Moon (front cover) | ||
| by Michael Eble, oil on canvas, 36" x 18", 2005. | ||
| Bayou Calliou (back cover) | ||
| by Michael Eble, monotype, 18" x 24", 2007. | ||
from April 2003 to the present can be accessed through EBSCO databases, including Academic Search Premier.
