| Editors'
Introduction |
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| Ronald
Weber University of Texas El Paso |
3
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| From
Billy Collins' "Forgetfulness" to Julian Grey's "Forgetfulness:"
The Re-mediation of Poetry |
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| Elizabeth
Delmonico Truman State University |
7
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| Euripides'
Alcestis and John's Lazurus (John 11:1-44, 12:1-8) |
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| Bruce
Louden University of Texas at El Paso
|
21
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| Formality
in Second Language Discourse: Measurement and Performance |
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| Bei
Xiaoyue, Gavin Hang Seng Managment College
(Hong Kong) |
32
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| Organic
Food for the "Lunchables" Generation: Transformational Multiculturalism
in the New Millennium |
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| Sarita
Cannon San Francisco State University
|
42
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| In
the Eye of the Storm: Images of Spacetime in Turner and Poe |
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| Thomas
Sorger Roger Williams University |
60
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| "Breaking
the Silence:" Testimonio, Revisionary Historiography, and Survivor's
Guilt in Edwidge Danticat's The Farming of Bones and The Dew
Breaker |
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| Marion
Christina Rohrleitner University of Texas
El Paso |
73
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| Storytelling
as Foundation: Intersection of Mind, Body, and Heart |
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| Chris
Hamstra Davenport University |
86
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|
Mary
Gordon and the Arts of Trespassing and Resetting Boundaries
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| Alma
Bennett Clemson University |
92
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| Remington's
Late Rant |
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| David
Hulm Kirkwood Community College |
100
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| Interview
with El Paso Author Marcia Hatfiled Daudistel |
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| Florence
Schwein El Paso Prime Time, KTRP |
101
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| Book
Review |
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| Hallelujah
Junction: Composing an American Life by John Adams |
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| Reviewed
by Elden Dale Golden Union Institute &
University |
106
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| Dialogues
in Art History, From Mesopotamian to Modern, edited
by Elizabeth Cropper |
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| Reviewed
by Jonathan Rinck Lansing Community College,
Spring Arbor University |
113
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| Notes
on Contributors |
118
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| Editorial
Policies |
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121
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| HERA
Membership/IH Subscriptions |
122
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| Cover
art - Intersections |
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| by
Candy Mayer Mixed media collage on paper,
20" x 18", 2009. |
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